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What would you do with a key that opened 1000 doors?
Gopan is a Kathmandu rickshaw cabbie obsessed with shedding his low-caste heritage. When his rickshaw crashes into a muddy canal, he finds a magic key that transforms his life from an impoverished nobody into a lavish millionaire.
the entire novel
Download PDFThe Heavenly Empress Wu
Gopan is the central protagonist of the novel. He is a humble rickshaw driver of the lowest Hindu caste and he dreams of having a better life, of ending his inherited cycle of endless rebirths into the same lowly social class. He finds the magic key after a rickshaw mishap and his life changes forever when he discovers that the key's powers allow him to open any door.
Sid is a supporting character in the novel. A professor of Buddhism at Stanford University, he embarks on a mission to retrieve the magic key from a monk in Tibet and take it to the Dalai Lama. In Kathmandu, during a rickshaw mishap, he loses the key and Gopan Subba, the rickshaw driver, finds it. The key will forever change the lives of those who possess it.
Fa Wong is my ancient protagonist who tells his story in the history of the relic key. He is a Song Dynasty monk at the Mogao Grottoes in Dunhuang, China, and keeper of the magic key. In a dream, the spirit of Empress Wu tells Fa Wong that she is the mummy at a Buddhist temple in Tibet that nuns are worshiping as the goddess of long life, White Tara. Fa Wong embarks on a journey to Tibet to return the key to the Heavenly Empress and to ask her for a long life.
An important image to help me overcome both physical and mental ailments. Medicine Buddha holds the elixir of healing at his gut. From it, from my gut, I visualize the healing essence flowing through my body and mind, healing me, sustaining me, keeping me going.
He holds the sword of wisdom and slashes away ignorance, harm, and negativity. The Prajna Khadga, Manjushri's sword, is my key to 1000 doors.
Read the history of the key, below. In the novel Empress Wu is the mummified nun reborn as the White Tara who is Guan Yin the female Buddha of this era.
A New Road
Where am I now?
I’ve ventured far.
A new road
Yet,
I’ve been here before.
A deja-vu,
Or is it true –
Have I been here before?
As silence shakes
A trumpet blows,
I know not where,
I’m bound to go,
But words I hold
Dear to me,
Travel back eternally.
They’re tearing down
The shanty town
Along Ishu Canal
I am alone to wander
In front, behind,
Beside,
I am just a weary traveler
Alone, along inside.
I am not the Tao.
I am sullen.
I toss this poem,
Immortal poem,
Into the valley below.
I watch it leave me.
Surly I muse,
Inside a precipice.
Upon the stone,
I sit alone
(forever I fall from view).
A flock of five
Soar along the Nadir Green.
Whose echo sounds,
Against the cliffs,
and in my laden heart.
Now I understand,
Chinese landscape paintings,
and the hidden man contemplating.
Fallen waters summon
The valley in its crawl.
Crimson and lavender azaleas,
Entwine among the pines.
Two birds with long tapering tails
and black heads chatter and call:
Five green mountain peaks show,
A valley as wide as my heart
As deep as my spirit,
Taoism is the Gingko.
Buddhism is the sword of Manjushri.
You, Heavenly Empress,
Are the immortal goddess of Wutai Shan.
May your radiance of 1000 Buddhas light my way.
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